2019
Portnoy (born 1936) Improvises
2018
2017
2016
Relational Stalinism - The Musical
2014
2013
2012
2011
Script Oppostion in Late-Model
Carrot Jokes
2010
Taipei Women’s Experimental
Comedy Club
2009
2008
2007
2006
C.O.T.E.(Complication of the Everyday)
27 Gnosis, 2012
installation/performance
dOCUMENTA (13), Kassel
and a second iteration developed for theaters
presented at Playground Festival, STUK, Leuven, 2013 and The Kitchen, NY, 2013
In this destabilizing, combinatorial game show set within a massive mud mound, the Rigid Desgnator and Modifa, The Modifier, direct a group of 27 players who compete to develop a series of confounding propositions derived from the interplay of a set of 27 "gnoses", vaguely nose-like sculptural forms each representing a heuristic or conceptual tool for attaining experiential knowledge. The language system of the game borrows structurally from the ontologies of 17th Century taxonomic languages as well as elements of modern constructed languages such as Ithkuil, aUi, and Ygede. Unfolding unpredictably in a mixture of linguistic contortion, world-building, and dance, the game fuses Portnoy's breed of Relational Stalinism with his background in experimental comedy.
Game structure and choreography in collaboration with Ieva Misevičiūtė
Performers: Ieva Misevičiūtė, Michael Portnoy
Architecture in collaboration with Christian Wassmann
Costumes by threeASFOUR
Scent by Nasomatto
Commissioned and produced by dOCUMENTA (13)
Review of 27 Gnosis at The Kitchen, Frieze Magazine
Conversation about 27 Gnosis in BOMB Magazine
Video excerpts:
Photos: